BacchusSculpture in La Serena

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Work

Bacchus

Author

Unknown (replica)

Year

20th Century [Estimated]

3D model poster
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Scan - Mayo 04-2025, La Serena, Chile
Scan - Mayo 04-2025, La Serena, Chile
Scan - Mayo 04-2025, La Serena, Chile
Scan - Mayo 04-2025, La Serena, Chile
Scan - Mayo 04-2025, La Serena, Chile
Scan - Mayo 04-2025, La Serena, Chile

Work narrative

History

Bacchus (Dionysus in Greek) is the god of wine, the vine, ecstasy and theater.
Son of Jupiter and the mortal Semele, he was born twice: first from his mother's womb, who died upon seeing Jupiter's true divine form, and then from his father's thigh, where he was gestated anew.
Raised by nymphs and satyrs, he learned the secrets of the vine.

His cult, associated with the liberation of inhibitions through wine, included orgiastic rituals (the bacchanals) and theatrical performances.
Bacchus symbolizes the life–death–rebirth cycle (like the vine, which is pruned and reborn), and his myth explores dualities: joy and madness, civilization and wild nature.

In Renaissance art (as in Sansovino's sculpture), he is represented as young and androgynous, with grapes or a cup,
evoking both pleasure and the fleeting nature of life (*carpe diem*).

Work record

Technical Data

AUTHOR

Unknown (replica)

CHRONOLOGY

20th Century [Estimated]

MATERIALITY

White Carrara statuary marble.

TECHNIQUE

Marble carving

MOVEMENT

Renaissance

WORK DESCRIPTION

Nude youth with classical proportions, in a slight *contrapposto* posture.
Drunken and smiling face, crowned with ivy. Curly hair, relaxed but muscular body. Holds a wine cup and grape clusters.
Panther skin over the shoulder. Expression of jovial intoxication, with half-closed eyes.

Influenced by classical Antiquity, it mixes idealism and vitality, typical Renaissance features.
Represents the exaltation of nature and pleasure, within the humanist context of the era.

ABOUT THE AUTHOR

Jacopo Sansovino (1486–1570), Florentine architect and sculptor, was a key figure in the Venetian Renaissance.

After working in Rome, he settled in Venice in 1527, where he designed masterpieces such as the *Marciana Library* and the *Loggetta*, fusing classicism with local elegance.

He also sculpted the *Neptune* of the Doge's Palace.
His work influenced the evolution towards Baroque.