Bather – Sculpture in La Serena

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Work

Bather

Author

Gaetano Mercanti

Year

Second half of the 19th century

3D model poster
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Bather standing with drapery over the hips and a jar at her feet, with pink stains, among trees and cables.
Bather seen from behind and below, with drapery over the hips and the jar beside her.
Close-up of the Bather’s face and curled hair, with reddish stains on the chest.
Profile of the Bather with her head bowed and drapery below the waist, under a blue sky.
The Bather on her pedestal with a graffiti tag, in front of a house with a barred window and trees.
Detail of the Bather’s drapery and her hand resting beside the jar, with reddish stains.
3D model preview of Bather
Bather standing with drapery over the hips and a jar at her feet, with pink stains, among trees and cables.
Bather seen from behind and below, with drapery over the hips and the jar beside her.
Close-up of the Bather’s face and curled hair, with reddish stains on the chest.
Profile of the Bather with her head bowed and drapery below the waist, under a blue sky.
The Bather on her pedestal with a graffiti tag, in front of a house with a barred window and trees.
Detail of the Bather’s drapery and her hand resting beside the jar, with reddish stains.

Work narrative

History

Bather depicts a young woman gathering her cloth beside an ornamented urn. The partial nudity, restrained gesture and contrast between the smooth body and the folds connect the composition with the classical tradition of bathing subjects, cultivated by nineteenth-century Italian academic sculpture.

The sculpture is an original work by Gaetano Mercanti and retains his cursive signature, incised on the base of the sculpture itself. In his Memoirs, published in 1975, Gabriel González Videla records it as “Bañante, by Mercanti,” with a height of 1.65 metres, and explicitly describes it as an original signed sculpture. It was purchased in Rome from the gallery named “Massino Tuena” in the catalogue, on Via Margutta, for the open-air museum formed during the Plan Serena. That name probably refers to the Galleria di Massimo Tuena, documented at Via Margutta 53b during the post-war period.

In 2007, the Centro Nacional de Conservación y Restauración included La Bañista among the sculptures inspected to discuss future treatments. The 2024 municipal loan agreement identifies it as “Escultura La Bañista.” These records form part of its heritage history; its individual arrival date in Chile and installation date on the avenue remain undocumented.

Work record

Technical Data

AUTHOR

Original work signed “Gaetano Mercanti” on the plinth.

CHRONOLOGY

Original work from the second half of the nineteenth century; exact execution date undocumented.

MATERIALITY

White marble

TECHNIQUE

Marble carving

MOVEMENT

Classically inspired Italian academicism

WORK DESCRIPTION

A young female figure stands partially nude, with her head slightly inclined and her wavy hair gathered up. A cloth descends from the right shoulder and crosses the torso, leaving the left breast uncovered; its folds wrap around the hips and legs. The left hand gathers the fabric beside the thigh, while the right rests on a lateral urn ornamented with reliefs. A rock-like support with plant motifs and flowers accompanies the urn. The cursive signature “Gaetano Mercanti” is incised on the base of the sculpture itself.

ABOUT THE AUTHOR

Gaetano Mercanti was an Italian sculptor active in the second half of the nineteenth century. His documented production includes female figures in marble and compositions on the bather theme, using a classically inspired language with attention to the modelling of the body and drapery. His birth and death dates and training are undocumented in the sources consulted.