Wounded Amazon (Mattei type)Sculpture in La Serena

Hero of work Wounded Amazon (Mattei type)

Work

Wounded Amazon (Mattei type)

Author

Pheidias

Year

5th century BC

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Scan - Agosto 09-2026, La Serena
Scan - Agosto 09-2026, La Serena
Scan - Agosto 09-2026, La Serena
Scan - Agosto 09-2026, La Serena
Scan - Agosto 09-2026, La Serena
Scan - Agosto 09-2026, La Serena
3D model preview of Wounded Amazon (Mattei type)
Scan - Agosto 09-2026, La Serena
Scan - Agosto 09-2026, La Serena
Scan - Agosto 09-2026, La Serena
Scan - Agosto 09-2026, La Serena
Scan - Agosto 09-2026, La Serena
Scan - Agosto 09-2026, La Serena

Work narrative

History

This sculpture represents an Amazon, one of the warrior women of Greek mythology. Its identity is established by the distinctive morphology of the Mattei type: the short chiton slips from the left shoulder and exposes the left breast, the right arm rises above the head, the body's weight rests on the right leg, and the figure is accompanied by a quiver, a helmet and a tree-trunk support decorated with an Amazonian pelta.

These features distinguish the work from representations of Artemis or Diana. The name under which the sculpture was locally recorded, Diana Amazon, resulted from an incorrect iconographic classification and does not identify a recognised Classical sculptural type. The physical work is therefore identified as a Wounded Amazon of the Mattei type.

The Mattei type belongs to the group of standing Amazons connected by ancient tradition with the sanctuary of Artemis at Ephesus. Pliny the Elder recounts that Polykleitos, Pheidias, Kresilas, Cydon and Phradmon produced Amazon statues judged by the artists themselves. The lost Greek prototypes, probably made in bronze during the 5th century BC, are known through later Roman marble copies and their modern reproductions.

The prototype of the Mattei type is traditionally and most commonly attributed to Pheidias. This attribution remains historiographical rather than a signed or archaeologically demonstrated authorship. It does not affect the secure morphological identification of the La Serena figure as a Mattei-type Amazon.

The marble reproduction installed on Avenida Francisco de Aguirre preserves the defining composition despite damage to the left forearm. The exact original arrangement of the missing weapon and restored arms remains debated, so the surviving pose should not be used to assert a definitive reconstruction of a bow or spear.

Work record

Technical Data

AUTHOR

Pheidias (traditional attribution of the prototype); maker of the La Serena reproduction undocumented

CHRONOLOGY

Undated marble reproduction installed in 1952; Greek prototype c. 440–430 BC

MATERIALITY

White marble (sculpture) and stone (pedestal)

TECHNIQUE

Direct carving in marble with chiselled and polished finish

MOVEMENT

Academic Neoclassicism (reproduction of Greek Classicism)

WORK DESCRIPTION

Free-standing marble sculpture representing a standing Amazon dressed in a short belted chiton. The garment remains fastened over the right shoulder but slips from the left, leaving the left breast exposed. A diagonal strap across the torso is associated with the quiver carried by the figure.

The body adopts a restrained contrapposto. Its weight rests on the right leg, while the left leg advances in a relaxed position. The right arm bends and rises above the head; the left arm descends beside the torso and its forearm is incomplete. This asymmetrical arrangement produces the fatigued, suspended rhythm characteristic of the Mattei type.

A carved tree trunk beside the right supporting leg stabilises the marble figure. The support incorporates a crescent-shaped pelta, the characteristic Amazonian shield. A crested helmet rests on the plinth beside the left foot. The combination of exposed left breast, raised right arm, quiver, pelta, helmet and supporting leg identifies the work as a Mattei-type Amazon rather than Diana.

ABOUT THE AUTHOR

Pheidias was an Athenian sculptor active in the 5th century BC and one of the central figures of the Greek Classical period. Ancient sources associate him with an Amazon made for the sanctuary of Artemis at Ephesus.

The lost prototype of the Mattei type is traditionally and most commonly attributed to Pheidias, although no signature or direct archaeological evidence establishes that authorship conclusively. The maker and execution date of the marble reproduction in La Serena have not been documented.